The End of the Line Kathryn Dudley Review

The End of the Line

The Finish of the Line

Clarification

This book tells the story of what the 1988 endmost of the Chrysler assembly constitute in Kenosha, Wisconsin, meant to the people who lived in that company town. Since the early days of the 20th century, Kenosha had forged its identity and politics around the interests of the auto industry. When most 6000 workers lost their jobs in the shutdown, the community faced not simply a serious economical crisis only likewise a profound moral one. In this study, Dudley describes the painful, often confusing procedure of alter that residents of Kenosha, like the increasing number of Americans who are caught in the crossfire of de-industrialization, were forced to undergo. Through interviews with displaced autoworkers and Kenosha's community leaders, high-school counsellors and a rising course of upwardly mobile professionals, Dudley dramatizes the lessons Kenoshans drew from the constitute shutdown.
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Product details

  • Paperback | 250 pages
  • 154.18 x 228.85 10 14.73mm | 317.51g
  • The Academy of Chicago Press
  • University of Chicago Press
  • Chicago, IL, The states
  • English language
  • 2nd ed.
  • xiv halftones, 3 maps, 8 line drawings, 7 tables
  • 0226169103
  • 9780226169101
  • 1,801,384

Back cover copy

An evocative and powerful portrait of America in transition, The End of the Line tells the story of what the 1988 closing of the Chrysler associates institute in Kenosha, Wisconsin, meant to the people who lived in that company town. Since the early days of the twentieth century, Kenosha had forged its identity and politics around the interests of the automobile industry. When nearly six chiliad workers lost their jobs in the shutdown, the community faced non only a serious economic crisis merely also a profound moral one. In this innovative report, Dudley describes the painful, often confusing procedure of change that residents of Kenosha, like the increasing number of Americans who are caught in the crossfire of deindustrialization, were forced to undergo. Through interviews with displaced autoworkers and Kenosha'south community leaders, high-school counselors, and a rising class of upward mobile professionals, Dudley dramatizes the lessons Kenoshans drew from the plant shutdown. When economic forces intrude on our lives, the resulting changes in earning power, status, and access to opportunity touch our sense of who we are, what we are worth, the nature of the earth nosotros live in, and in particular, what information technology takes to succeed. Dudley examines how ideas about self-worth - especially those based on marketplace ideologies of competition and the Darwinian notion that only the fittest survive - get the subject of intense cultural disharmonize. Dudley describes a customs in conflict with itself: while Kenosha's autoworkers struggle to regain an economic foothold and make sense of their suddenly devalued identify in society, white-neckband workers, professionals, and a new wave of politicians see themselves at thevanguard of a new moral order that redefines community as a "culture of heed" instead of the traditional "culture of hands" long associated with the work of the assembly line. This honest, moving portrait of one town's radical shift from a manufacturing to a postindustrial economy will redefine the fashion Americans across class lines recollect about our families, communities, and time to come.
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Well-nigh Kathryn Marie Dudley

Kathryn Marie Dudley is assistant professor of American studies and anthropology at Yale University.
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Rating details

15 ratings

three.47 out of five stars

5 13% (2)

4 47% (vii)

iii 20% (iii)

2 xiii% (2)

1 7% (1)

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